Welly, welly, welly, welly, welly, welly, well

A Clock­work Orange

There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milk­bar try­ing to make up our ras­soodocks what to do with the evening. The Korova milk­bar sold milk-plus, milk plus vel­locet or syn­themesc or dren­crom, which is what we were drink­ing. This would sharpen you up and make you ready for a bit of the old ultra-violence.

This year marks the 50th  anniver­sary of the Anthony Burgess novel “A Clock­work Orange”. To mark the fifti­eth anniver­sary  the Inter­na­tional Anthony Burgess Foun­da­tion is organ­is­ing a multi-disciplinary con­fer­ence to exam­ine its pro­found and endur­ing impact on lit­er­a­ture, film, music, the­atre and society.

On the other side of the Atlantic, On May 19, the Hero Com­plex Film Fes­ti­val will wel­come spe­cial guest Mal­colm McDow­ell to talk about his mem­o­ries of Burgess and reflec­tions on a long and vivid career.

We’ll keep our eyes open and if we find any other event com­mem­o­rat­ing the writ­ing of such an influ­en­tial book, we’ll make sure to let you know every­thing about it in future postings.

Oh bliss! Bliss and heaven! Oh, it was gor­geous­ness and gor­geousity made flesh. It was like a bird of rarest-spun heaven metal or like sil­very wine flow­ing in a space­ship, grav­ity all non­sense now. As I slooshied, I knew such lovely pictures!

Viddy well, lit­tle brother. Viddy well.


Krzystzof Penderecki

Thren­ody for the Vic­tims of Hiroshima for 52 strings

A cou­ple of days ago a friend and bad kid col­lab­o­ra­tor of The Remains of the Web intro­duced me to Krzyst­zof Penderecki’s Thren­ody for the Vic­tims of Hiroshima for 52 strings.

All I can say is HOLY SHIT!!!

[jwplayer mediaid=“467”]


Plan 9 from Outer Space (1959)

I love Ed Wood and I love Plan 9 from Outer Space. It has been dubbed “the worst movie ever made”. In this time when big Hol­ly­wood stu­dios are try­ing to shove down our throats all kinds of crap, an army of Ed Woods should be cre­at­ing  “the worst movies ever made” of the new cen­tury. Let’s watch Plan 9 from Outer Space to help us grow a pair.

From IMDb: “Can your heart stand the shock­ing facts about grave rob­bers from outer space?” That’s the ques­tion on the lips of the nar­ra­tor of this tale about fly­ing saucers, zom­bies and card­board tomb­stones. A pair of aliens, angered by the “stu­pid minds” of planet Earth, set up shop in a Cal­i­for­nia ceme­tery. Their plan: to ani­mate an army of the dead to march on the cap­i­tals of the world. (The fact that they have only man­aged to res­ur­rect three zom­bies to date has not dis­cour­aged them.) An intre­pid air­line pilot liv­ing near the ceme­tery must res­cue his wife from this low-budget ter­ror. “Can you prove it *didn’t* happen?”


Former Ghosts — Dreams

For­mer Ghosts was the project of for­mer This Song Is a Mess But So Am I mem­ber Freddy Rup­pert with loose col­lab­o­ra­tions from mul­ti­ple peo­ple includ­ing Xiu Xiu front­man Jamie Stew­art, Zola Jesus orig­i­na­tor Nika Roza Danilova, Yas­mine Kit­tles of Tearist, Annie Lewandowski of Pow­er­dove, and Carla Bozulich. Past live incar­na­tions have included Jherek Bischoff and Sam Mick­ens. Rup­pert is the lead song­writer on this bru­tally gloomy project.


Kembra Pfahler X2 in Berlin!

 

Kembra Pfahler

War is a Men­strual Envy by Nick Zedd

This month is dou­ble Kem­bra Pfahler treat in Berlino.
Until last week (i think) was the exhi­bi­tion on the Cin­ema of Trans­gres­sion in the KW which fea­tured Miss Pfahler as one of the pro­tag­o­nists of the under­ground move­ment.
Next week­end she will be play­ing live with her band The Volup­tuous Horror of Karen Black in small fes­ti­val CAMP/ANTI-CAMP – A QUEER GUIDE TO EVERYDAY LIFE in HAU ZWEI as well with the amaz­ing Vagi­nal Davis, works by Bruce LaBruce, Tay­lor Mead and a bunch of other people.

Here’s the great video for ‘Bring Back The Night’ directed by Bijoux Altami­rano, enjoy.


Battles

Bat­tles is an Amer­i­can exper­i­men­tal rock band that formed in New York City in 2002. The cur­rent line-up is guitarist/ key­boardist Ian Williams, guitarist/ bassist Dave Konopka (for­merly of Lynx), and drum­mer John Stanier (for­merly of Helmet).

The fol­low­ing video is from their album Gloss Drop, directed by direc­toral duo Daniles (Daniel Kwan & Daniel Schin­ert)
We hope you enjoy the tune and the video.


Joe Coleman’s Odditorium

Joe Cole­man col­lects arti­facts relat­ing to infa­mous his­tor­i­cal events. He col­lects sideshow and ser­ial killer ephemera. He col­lects reli­gious arti­facts that call to his obses­sions with vio­lence, with twin­ning, and with power. Like his art, his col­lec­tion is filled with reli­quar­ies con­tain­ing the twinned power of both the sacred and profane.

Coleman’s Odd­i­to­rium is one of the most com­pre­hen­sive col­lec­tions of weird relics from the darker side of life. His col­lec­tion is so huge that most of it lan­guishes in a stor­age ware­house. A few years ago, at a ret­ro­spec­tive exhibit in Ger­many, the Odd­i­to­rium occu­pied four giant floors.

If you want to know a lit­tle bit more about Cole­man, read the fol­low­ing arti­cle from Bizarre

 


John Henry Mackay

John_Henry_MackayI recently dis­cov­ered John Henry Mackay and read­ing chap­ter 5 of his book “The Anar­chist” has allowed me to bet­ter under­stand things that I had in my mind but that I was not able to put into words. I find in his words what I think should be man’s true ideals and he has enlighten me as to why I just can­not swal­low the ideals of social­ism or communinism.

I think that as chil­dren we know these things as if by intu­ition. But so much ingnorance, superstitions and lies are piled up in the heads of indi­vid­u­als, through soci­ety and the poi­so­nous edu­ca­tion of fam­ily life that we are made to work against our own interests.

Let me add some quo­ta­tions from the book.

Lib­erty is noth­ing but inde­pen­dence of one another: the pos­si­bil­ity for each for being free in his own fashion”

I claim the right of free con­trol over my per­son”… “I nei­ther demand nor expect of the comu­nity a bestowal of rights, and I con­sider myself under no oblig­a­tion to it. Put in place of the word ‘com­mu­nity’ what­ever you wish: ‘State’, ‘soci­ety’, ‘father­land’, ‘com­mon­wealth’, ‘mankind’, — it is all the same”

I invite you to read the book and if you already know about Mr. Mackay and hap­pen to live in Berlin, I rec­om­mend to check out the folow­ing link for a Bike tour to his grave.